December 2008 log

I realized I hadn’t updated librarything since August. oops. I keep staring at Tsubasa 19, but have not yet bought it; I would have stopped long ago if I hadn’t been interested in the parts that relate to xxxHOLiC. I still have a distinct feeling I bought The Yiddish Policeman’s Union used in hardback from somewhere (the library, probably), but can’t find it; the used book store has it in hardback and paperback, but I don’t want to buy it if I already have a copy.

One one hand, I need to start keeping better track of things; on the other hand, I no longer have regular internet access and so might be abandoning this for a while (not that I’m really updating).

November 2008 log

It’s not much of one because I failed to keep up with anything and spent way too much time playing Disgaea instead of reading or watching much of anything. I was restless at the beginning of the month and read a chapter or two of several books, and ended up rereading most of Emma Bull’s War for the Oaks, which I will hopefully finish, but I’m not enjoying it as much on a reread as I did when I first read it. I have Elizabeth Bear’s Blood and Iron out from the library, and ended up renewing it because I got stuck in War for the Oaks and haven’t even opened it yet. I think the only things I bought were v7 of Angel Diary (still unread) and Dir en grey’s Uroboros (mostly because it was there). I still have eighteen drafts, dating back a year. Despite not updating, my hits continue to improve; November was my best month so far, and I had a best week ever and three hits less than my best day ever. If I would update regularly, I might actually get a reasonable number of hits. I ought to figure out why I’m suddenly not getting many hits for a particular search term, though I have no idea where they were coming from in the first place.

October 2008 log

Probably not complete; I think the reading is accurate, but know I must have watched more than I listed, but have no idea what it might have been. I’m still failing to post here as often as I want to, and still have seventeen drafts here plus one as a draft email, for some reason (if I could get there, I could get here) that may or may not make it into full posts. On the other hand, I had a best days ever (+ two more that would have been if that one hadn’t) and a best month ever in October, which is nice.

Mercedes Lackey: Foundation

This is the first Valdemar book she’s written in a while; it’s the start of a new series (The Collegium Chronicles) set a few generations after Magic’s Price (there is a Bard who learned a song from his mentor who had Stefen as his mentor). The timeline at the beginning has Magic’s Price as occurring during the reign of Randale, beginning in 798 AF and this set a little after 850 AF (no specific date). The Herald’s Collegium is currently being built; previously, trainees were trained individually or in very small groups by a mentor, but there has been a sudden influx of trainees and the number of Heralds who can safely have trainees (either based in Haven or on less-dangerous circuits) is not enough to cope. There is a general air of unease underneath everything in Haven, but the reasons aren’t really clear. Part of the unease is because some of the Heralds are not happy about the new Collegium; they think that the trainees need more personal supervision or the old ways were best or don’t like that there are enough trainees to force a change in training from mentor-apprentice to school-based or aren’t happy that there are trainees from more diverse backgrounds than previously. In the background, but only mentioned in passing, is that a sudden influx of trainees generally means a sudden need of new Heralds, often due to loss of existing Heralds due to war or other catastrophe.

Mags is a thirteen-year-old boy working in a gem mine along with a number of other orphaned or otherwise abandoned children; they are all underfed and overworked and there was a threat of murder for disobedience (people occasionally died in suspicious cave-ins; there were a few more blatant instances as well). He is eventually Chosen and taken to Haven to begin his training. Left alone at the Collegium at midwinter (his friends and most of the other Trainees went home), he attracts the attention of Master Builder Soren (ran into him at the market and advised him that the jewelry he was considering buying had flawed gems), and finds himself invited to one of Master Soren’s midwinter open houses. He meets several others around his age there and becomes friends with them. They are all the children of notable people and spend time spying (looking for signs of trouble; there are vague indications of unrest) under the direction of the King’s Own.

I thought this book was all right and I will read the next, but it is very generic Lackey and in some ways a retread of earlier books; there are parallels between Mags and Talia and also Mags and Skif, and there were also a couple of scenes that distinctly reminded me of other books, though in one case it was a generic sort of scene and I’d just read another book with a similar event. My biggest problem with the book was the complete lack of conflict or drama or action, even (except for a small amount at the end); I like escapist fluff, but I want a little more substance than this book had. Once Mags is at the Collegium, everything falls into place for him with very few problems (see below for a full description); he has no problems adjusting to the changes in his life, no problems controlling his Gift, and no one really cares about his upbringing. The one thing that actually bothered me about the book was that after he was first Chosen, his Companion kept him calm and accepting without telling Mags that he was controlling him. Mags was not bothered when he found out that his Companion could control his mind, either. Despite everything, I did find myself caring about the characters somewhat and wondering what the foreshadowing with Mags signified and what would happen next.

Mags is Special: Even at the mine, he is the best miner; most of the truly horrific parts of the experience are told later and most were seen, not experienced (not that being underfed and overworked and underdressed isn’t horrible). He somehow managed to teach himself to read and write sentences while all the other children were still struggling with simple words. The change in his situation is never too much for Mags to deal with (though his Companion was keeping him calm at first). He learns to ride quickly, though he does have some problems at first. Once at the Collegium, he gets a room to himself away from the other trainees. He is a natural with weapons, despite an early reluctance to raise a weapon against another person. No one cares that he has an extremely low-class background. He does relatively well in his classes (not the best, but not the worst), despite his almost complete lack of education; he does have a tutor for some subjects (history, especially) and he ends up with a friend as his tutor instead of an actual teacher. He has an extremely strong Mindspeech Gift, and has no problem controlling it. He and his Companion are closely linked enough that Dallan spends a lot of his time telling Mags what he should do in any given situation, so Mags doesn’t commit any social errors. He doesn’t make friends that easily at first, but he doesn’t make enemies either. He does spend a lot of time alone and just kind of avoiding company, but once he realizes that he is lonely, he acquires friends (not deliberately); Lena is a Bardic Trainee and the daughter of a high-ranking Bard, and Bear is a Trainee Healer without the Gift but with the best knowledge of herbal medicines of anyone at the Collegium. He attracts the attention (positive) of various high-ranking people and ends up with the King’s Own as his unofficial mentor.

Hotei and the Wanderers Funky Punky Tour 2007-2008

The DVD is from the January 27, 2008 concert at Kawaguchi Lillia. I preordered this and watched it in early May and at least once since (was watching random songs, and eventually sat down and watched the whole thing). It’s been sitting as a draft since then because I wanted to do a full report with screencaps, but couldn’t get motivated for that; I may eventually do a longer review (track by track, with pictures), but this will just be an overall impression.

I liked this well enough, though I kind of regret paying full price for it; I don’t think it’s worth that much, and it’s already showing up for close to half price on ebay. I don’t like the front cover; he looks a bit smug; the back cover has individual member pictures along with the details. The DVD came with an eight-page booklet; the covers had a picture of the group on one side and the member names on the other, and there were two-page spreads of several pictures, a group shot and the track list, and an overhead shot and the credits. The extras included member interviews and a slideshow, which was all Hotei.

The performance itself sounded decent; I didn’t notice anything off musically (which means nothing, really, since I wouldn’t notice unless it was very bad); Hotei’s voice was a little off in a couple of places, but was fine otherwise, and there were a couple of instances of slightly off-key backing vocals. Any MCs were not included, though there was a long band introduction sequence. Many of the songs were rearranged to include solos from the various members. The energy level was decent (nobody looked bored, at least); the main part didn’t show much of the audience, but they were shown more in the encore and did seem to be enjoying themselves.

The stage was fairly small, with two levels: Ju-ken (bass) — Hotei (vocal/guitar) — Takuya (guitar) in the front and Steve Eto (percussion) — Tatsuya Nakamura (drums) — Ken Morioka (keyboards) on the higher level in the back. For the acoustic parts, most of the members came down to the front of the stage.

The band, normally

One variation of the stage during the acoustic songs

The camera annoyed me to no end; the main concert had too many artsy camera angles and effects (random body parts (not the parts playing instruments), focus on the person behind with a blurry part of a person in front, too much love for the overhead camera; I spent too much time trying to figure out what various pieces of equipment were and why Ju-ken seemed to have a black on white setlist while everyone else had green on black). The encore was more straightforward. I have a general issue with concert DVDs and solos; I would like to see the soloist, and they weren’t always shown.

This concert was billed as “Hotei and the Wanderers”; I (correctly) expected Hotei to get the majority of the screen time, but expected the others to be shown more-or-less equally. My biases may be influencing my perceptions of camera time per member, so this might not actually mean much; I am not anal-retentive enough to go back through and time the amount each member had on-camera. I was satisfied with the amount of Ju-ken (though more is always better) and Ken Morioka (though that may be because I don’t find keyboard players that interesting visually; a fan of his might have a different opinion), but was not satisfied with the rest. I was surprised that Takuya wasn’t on screen more. Steve Eto was not shown much, which was a severe disappointment; I wasn’t familiar with him, but I like watching percussionists in general and was looking forward to there being one.

Tatsuya Nakamura seemed to have his own camera, which was surprising; it seems that in general drummers are either ignored because they are just the drummer or have an abundance of camera time because they are stationary, but this also had two other members who were mostly stationary and on either side of him who didn’t have the time on camera he did. This was extremely obvious in the two songs that were performed with a three-piece band, and especially in the one where they were all in the front; the camera time was mostly split between Hotei and Nakamura. I didn’t mind watching him; he was enthusiastic and interesting to watch (and I have fallen in love with Losalios, and never would have heard them without this), but wish his time hadn’t been at the expense of others. One thing I did notice was that most of Nakamura’s screen time came from the camera on Morioka’s side; I don’t know if there was a technical reason for that, but it might also explain the lack of Steve Eto; it also seemed that the camera on Ju-ken was mostly from that side as well (when not from the front or overhead). It doesn’t explain why the camera seemed to be on Nakamura more than Morioka, though.

Members (profiles on Hotei’s site):

Tomoyasu Hotei (布袋寅泰) — vocal and guitar
Tatsuya Nakamura (中村達也) — drums
Ju-ken — bass
Ken Morioka (森岡 賢) — keyboards
Steve Eto — percussion
Takuya — guitar

Everyone except Tatsuya Nakamura provided backing vocals; Morioka had the falsetto-ish backing vocals; Eto had the bass-ish ones (surprisingly; his speaking voice wasn’t that low).

recently watched

where recently = late spring and onwards; I have far too many half-finished drafts that have been sitting long enough that I couldn’t finish them properly without rewatching but hate to delete the parts I wrote. These are mostly the impressions that were left and not thoughts at the time.

Monster Drive Party, Tomoyasu Hotei, 2005 tour — a very intense performance, but it did not translate well to DVD (or at least wasn’t what I want out of a tour DVD); dark and murky; uneven camera (I hate to say too much Hotei (and I wouldn’t have bought this if I didn’t like him), but would have liked to see more of the band in general, and specifically the left side, which was under-represented).

Aurora Madturn, LOSALIOS — solo project of Tatsuya Nakamura (中村達也, drums, ex-Blankey Jet City); core band was Tokie (bass, unkie and support) and Takashi Kato (カトタカシ, 加藤隆志, guitar, Tokyo Ska Paradise Orchestra); some songs featured Asuka Kaneko (金子飛鳥, violin) and/or Masami Tsuchiya (土屋昌巳, guitar, ja.wikipedia). I love this (music and performance and all), but it’s probably not for everyone. The music is instrumental and occasionally a bit repetitive and/or formulaic; the performance is not the most exciting as everyone stays in their own spot on stage (involved and interested and intent on their playing, just not moving around much). The focus is on Nakamura; Tokie and Kato are playing as much to him and each other as to the audience, and when the others appear, they are off to the sides. Mixed in with the performances are some backstage clips and other random footage. (From this, Ghost Club and Three Dog Night are on youtube)

The Avengers ‘66 v1 — a bit much of dated race portrayals; native savages in one (though somewhat poking at that stereotype) and even in black and white, a white person in a dark wig + makeup does not really look Chinese or African. The “Chinese” woman’s wig was particularly obvious and the “African” woman made me think of Hawaii; she was wearing a strapless dress with a large floral pattern and a big flower in her hair. Oddly, most of the men in both episodes seemed to be somewhere near the proper ethnicity for their parts. None of the roles were very large; the “Chinese” woman was only in the beginning of her episode and there was a Chinese man with a small speaking part later, and one of the African men had a brief role as exposition-man (I don’t think the “African” woman spoke; if she did, it wasn’t more than a line or two). Other than the racial issues, these episodes were standard Avengers fare: there is a dust that kills all plants and birds it comes in contact with, and there are carphones and hunting and Mrs. Peel being chased by someone on a horse and generally kicking ass; disappearing physicists, and one reappeared and suddenly hated his Chinese wife, and there is weirdness within a hotel; and one that starts with a man shot by a “native” arrow outside of London and an odd sickness caused by a cult and affecting men who had served in an African colony and drums in the distance that were plot, not soundtrack.

The Avengers ‘66 v2 — I don’t think I took notes and have since returned it; I wasn’t impressed with these episodes. One had Mrs. Peel kidnapped at the beginning, with her substitute acting as Steed’s sidekick throughout the episode, so there was not enough of Mrs. Peel to interest me in this episode. One involved shenanigans at a golf course and was bland. One started with a dead man in a pram and ended up at a dance school and involved a shoemaker and a tattooist.

The Legend of the Shadowless Sword — a Korean attempt at a wuxia-style movie; pretty but extremely predictable. Vaguely historical, set in 927 A.D. The capital of Balhae fell to Georan; the Georans have been killing off all of the royal family of Balhae, but realize they could use one as a public-relations prop; the resistance is also looking for last member of the royal family and find him first (barely); most of the movie is them fleeing and her trying to convince him to be king (and at first, him running away from her because he doesn’t want to be king). A bit gory: geysers of blood, exploding bodies, limbs flying everywhere; visibly and audibly breaking bones were what made me start fast-forwarding through any fight scenes with large groups, though. (movie on wikipedia and imdb; Balhae on wikipedia)

September 2008 log

Fail, again; I was doing well, but then lost track of things halfway through the month, so it’s probably not complete. Despite abandoning this in September, it was my best month ever, hit-wise, though I think a lot of that was from image searches for xxxHOLiC; I had a best day ever that lasted a few weeks (a new best day ever was in October; half the hits were on the various xxxHOLiC pages, more than half on the images themselves). I think I’m going to take my drafts and make a couple of big posts out of them (thoughts only instead of descriptions and details and such) to get them out of the way (20 drafts at this point) and try again to start with just thoughts and not attempts at serious reviews (hopefully smaller posts, more often).

xxxHOLiC DVD 4

This series is based on a manga by CLAMP; it is the continuing story of Kimihiro Watanuki, a high-school boy who can see spirits. Much to his dismay, the spirits he sees are also interested in him. One day, he finds himself in the shop of Yuuko Ichihara; she claims to be able to grant wishes for a price; her price for helping him is for him to become her housekeeper. He also ends up occasionally dealing with her clients and investigating on his own. The show is episodic; there are several recurring characters and a little bit of character and relationship development, though. The part of the manga that this series covers is only marginally less episodic than the anime; there are only hints of a larger story. The manga is also a crossover with Tsubasa Reservoir Chronicle, but those parts were not animated; they do appear in the Tsubasa anime, though.

The episodes mostly follow their manga counterparts; there are a few changes due to the omission of the crossover parts, and the order is not the same as in the manga. The art and animation are at best average; the manga is CLAMP does Art Nouveau, and that sort of elaborate style does not translate well to anime (at least, not without a huge budget). The dub is serviceable; I like Yuuko, have gotten used to Watanuki, and don’t mind the rest of the regular cast. I didn’t think the dub voices of the twins in episodes 14 and 15 were quite right; they were supposed to be in college, but sounded younger. Funimation continues to annoy me with the occasional random changes in the dub; the monster in episode 13 is a good example of this: the subs called it “wings” (the Japanese sounded like “hane”, wings) and the dub called it “a fallen angel”. There were other instances of that sort of thing, and food and drink was sometimes less Japanese in the dub than the subtitles. There were a couple of consistency errors in the dub itself that I noticed: the fish that the twins buy was flounder, but Yuuko calls it sole after they leave with it, and Watanuki refers to kimono in the dub (sub is yukata and is defined there) but Himawari refers to yukata later. The use of kimono instead of yukata is vaguely annoying, but not entirely incorrect; it seems like both references should be the same.

This volume had the same sort of extras as the previous volumes: an image gallery, textless opening and ending (Buck-Tick’s “Kagerou” becomes the ending in episode fourteen and is the one here), and trailers (Genghis Khan, Love and Honor, Dragon Ball Z, Vexille, Fullmetal Alchemist, Hana, Tsubasa, xxxHOLiC); the front-loaded trailer was Samurai 7. Funimation seems to be serious about their live-action division; they had three of the trailers this time (Genghis Khan, Love and Honor, and Hana). The DVD had an insert with ads for several of their upcoming series and a release calendar for July through September.

—The Episodes—

Chapters are from the US release by Del Rey.

13. Transfiguration — (v5, c29-30) The girl with the wings; in the manga, it immediately followed the hydrangea and the ame-warashi and started with Watanuki’s first encounter with the pipe fox; he already knows about it here (episode 9). This episode is changed slightly from the manga, though not in a way that really affects the story. In the manga, Watanuki notices that a girl from his art class has wings on her back that no one else can see and she is a little rude to her friends in class; in the anime, she is nice in class and doesn’t yet have the wings, but Watanuki sees her and her friends after school and has the wings and is rude then. At the shop, Yuuko burns the feather he found (manga, in her hand; anime, in his) and gives him a slightly obscure warning. Watanuki continues to run into the girl and notices that she is ruder and the wings are growing. In the manga, the girl notices Watanuki at a festival and confronts him at school the next day; in the anime, the confrontation is at the festival. The pipe fox shows its true form and saves the day (and in the anime shoots fireballs), and Yuuko scolds Watanuki for not heeding her warning.

    The one major change was in the monster itself: Yuuko says it was a parasite, and it destabilized the soul; there was a slight chance the girl could recover. In the manga, Del Rey called it “Ko”, with meanings of vermin/bug/worm/bad temper/bad company. Yuuko said they were vermin, created to take souls, and implied that she knew who was responsible (hints of the plot yet to come); the anime ignored the few references to the plot, so it’s not surprising that there was a change. They could have left it as a soul-eater, though maybe they wanted something with a possibility of recovery; in the manga, Yuuko said the girl would not recover. Surprisingly, they left in Maru and Moro and their inability to leave the shop due to their lack of souls and the description of the shop as different on the inside; the difference in the shop might be mentioned again, but Maru and Moro’s status is not.

14. Seal — (v4, c22-24) part one of two, the twins and the power of words. The season is shifted from the manga; the changes don’t affect anything. In the manga, it starts immediately after Valentine’s Day and continues into the spring (through White day, at least); in the anime, it is later in the year. It’s hot instead of cold, a couple of meals are different, and Watanuki has a different motivation for making candy. There’s also a bit of Tsubasa in these chapters, which was not animated.

15. Release — part two of two; this is the overall plot for both episodes. Watanuki (and sometimes Doumeki) keep running into a set of identical twins; they are second-year college students. The older sister lacks confidence and self-respect and is often clumsy and is generally negative (doesn’t think she can do anything right, says that things never go right for her, that sort of thing); the younger sister is more confident but spends a lot of time worrying about her sister, saying things like “she’s always this way” when something goes wrong and wondering why she took a job as a waitress when she’s too clumsy and too shy to do the work. Watanuki senses a sort of wave from the older sister when she says negative things (their first real meeting, he helped her look for a contact; she told him it was no use before he started looking). Watanuki eventually has a talk with Yuuko about the power of words and how words can bind; he has a conversation with the older sister about the power of positive thinking, which helps a little, but she soon goes back to the way she was before (at the waitress job, mentioned above). Yuuko eventually fixes the problem, for a price.

16. Reunion — (v5, c31-32) Returning the pipe fox to its smaller form, and a meeting with the zashiki-warashi. This is another episode that was changed slightly due to moving the events of Valentine’s Day to Obon. The pipe fox in its small form liked to hang on Watanuki, and often hid in his shirt; the pipe fox in large form was very large, but still wanted to hang all over Watanuki. At the beginning, Watanuki finds some fried tofu, which the pipe fox enjoys; it is bad for the pipe fox, causing it to lose some of its energy (?), signified by the markings on its head vanishing. I don’t remember that particular plot point being in the manga (it’s not in these chapters, at least). At some point, Watanuki buys hairpins as a gift. Yuuko says that they need to go to a place where there is a lot of pure energy, and sends them through a vase to another world. The pipe fox changes, there are talking daffodils, and they wander for a bit before meeting the zashiki-warashi, who was the source of the fried tofu. Watanuki gives her the hairpins as a thank-you (in the manga, they were a belated White Day gift); they talk, are chased by her karasu tengu, are rescued by the ame-warashi, and eventually she shows Watanuki how to return.

—The Art—

DVD 1, DVD 2, DVD 3
listing at ANN
Funimation’s official site (actually for both Tsubasa and xxxHOLiC)

August 2008 log

This is a better attempt than last month’s log; I think it covers everything, though I did get distracted late in the month. I still fail at cleaning out drafts; I’m up to nineteen (not counting this), and the next thing I post won’t be one of those (xxxHOLiC DVD 4, partially because the xxxHOLiC posts are the ones that get the most hits, probably due to the cover art). August was my second-best month, hitwise, and the last week was the second best week (three behind the best, and three ahead of the third-best). I want to poke at the stats and see how many of those were images and how many were actual page views; I wish wordpress counted them separately.

Summary: read 7 (2 fantasy, 3 science fiction (2 borderline romance), 1 alternate history, 1 manga (fantasy)); 2 started but chose not to finish (one regency romance, one fantasy/romance); 3 reread (+ 1 started but unfinished). I need to start paying more attention to librarything, too; every time I go to add books, I notice there are all sorts of nifty new features, but never actually try to take advantage of them. I was also failing to add things there while I was failing here, so at some point, I’m going to have to take all of the loose books lying around and double-check them there.

Ju-ken, fall and winter, 2008

I’ve been keeping up with the 2008 activities of the Japanese bassist Ju-ken (just finished touring with VAMPS and occasionally playing with Anna Tsuchiya, will be in Gackt’s upcoming tour, has toured with Tomoyasu Hotei for the last few years, and occasionally performs with a variety of other artists); that post is getting large, so I’m giving the upcoming information (mid-November onwards) its own post, but anything in here will also be there. There’s some information about the bands he’s actually a member of (Hellmetz, Quintillion Quiz) and some other general information in that post as well. There’s not a lot of upcoming events beyond Gackt’s tour.

Releases:

• as a member:
• Quintillion Quiz: their second single was sold at their August 12 show and is being sold via mail order; the disc itself has a picture from Ju-ken’s birthday, but no song titles have been mentioned.
• as support:
• probably on some part of Anna Tsuchiya’s album Nudy Show (CD and CD+DVD), released 2008.10.29; few songs had performance credits. The band composed and arranged and were credited with performing “Blood on Blood”, though. The DVD had PVs and some backstage clips; he was in some of those.
• in part of Gackt’s 「nine＊nine」 set (2008.10.29, live CDs from all concerts + an extra DVD + mini tour pamphlets)
• in the PV for Gackt’s “Jesus”, but didn’t record on the single (CD+DVD is Dears-only; regular version available 2008.12.03)
• in the VAMPS live DVD to be released in February

TV:

• Nov 1, CDTV with Masaharu Fukuyama
• Nov 14, Music Station with Anna Tsuchiya (also with Jun-ji on drums; Muta had a conflict)
• Nov 21, Music Station with Gackt
• Nov 29, Music Fair with Gackt
• Dec 4, Music Japan with Gackt
• Dec 19, Music Fighter with Gackt

Live:

• Gackt, December – April 2009, “Requiem et Reminiscence II ～再生と邂逅～” (dates and information)
• Anna Tsuchiya, Dec 31 at Shibuya DUO Music Exchange
• Several dates with Quintillion Quiz in January and February (details; generally they update the original post instead of making new ones): January 7 at Omotesando FAB: 【TRANSMISSION ‘09】 QUINTILLION QUIZ/Obiwans/JOVO; January 14 at Meguro Live Station with 遠藤一馬 (Kazuma Endo) and KING; Jan 20 at Takadanobaba Club Phase: マンスリー企画 BULL ZEICHEN 88 Presents [BULL ZEICHEN QQ] (sold out!) ; Jan 28 at Nagoya ell.SIZE: QUINTILLION QUIZ/INSIDE TOWN MONKEYS/The stAnd/他; Feb 8 in Osaka: 霊-kotodama- 4manLIVE!! w：LUTE・LOSTONE・nex-tage; Feb 11 in Tokyo (tba); and Feb 21 “主催イベント！Welcome to the FUCKIN’QUIZ　VOL.６!!!QQ１周年PARTY！!” (one-year anniversary party)

Other:

• new goods: a new T-shirt (commemorating Gackt’s tour) and a new set (”あなたの日常のお側セット” — hand towels, coaster, mousepad, pen, pencil) (the set is sold out); selling via mailorder and on Gackt’s tour; information and pictures are on the main page of his site
• jewelry with CRAFT: a ring (”friend of the eternity”), a pendant (”guardian of the eternity”), and a chain (”bond of the eternity”); the pendant and chain are both listed under necklaces (site is flash, so no direct links). These are the items he was referring to in an earlier blog entry
• was in the October 2008 issue of Bass Magazine (on sale Sept 19); the article is about the relationship between singers and their bassists, and includes five bassists, two with singers (including Ju-ken and Anna Tsuchiya). The cover itself is Robert Trujillo of Metallica, but there is a small picture on the cover for this article of Ju-ken x Anna.
• was interviewed in Monthly VAMPS #3; will probably be in any recording/live/backstage reports in future volumes (was definitely in #2, #3, #4, #5)